![]() The practice actually dates back as far as the early days of radio.Īmerican networks have attempted to bring the ''Telenovela'' genre, very popular in Mexico, Central America and South America, to their market by purchasing the rights and scripts to older telenovelas, to very mixed to little success in the Americanization of them. ![]() Recycled scripts are also a common side-effect of writers' strikes, particularly among Westerns made in the 1950s and 1960s. However, haste and carelessness can (and have) resulted in shows that not only have a "cookie cutter" feel, but that actually draw the viewer's mind to the similarity between the original and the retread. When properly and skillfully done, the result can be an episode that looks and feels "original". Characters are mapped onto their closest equivalents, and situations are revised slightly to fit the new program, but the same plot is used unchanged. ![]() When two or more shows share the same pool of writers (or when a freelance scriptwriter is a particular combination of industrious and lazy), it's not unknown for tight deadlines to be handled by the expedient of taking a script already used by one show and "translating" it to another show. ![]()
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